
This professional Bell accordion, Model
2520, was made in Italy by Scandalli in the early 1960s. The Serial
Number is M 539/20. You can think of this accordion as the top of the
line non-chambered version of the Scandalli Super VI. It features 4/5
sets of hand-made "Scandalli Concert" reeds (the same reeds you find
in the legendary 1960's Scandalli Super VI models). The bass reed
blocks are mounted by spring-loaded bolts to properly manage the tension
along the surface of the blocks. The body of the instrument has the
classic design used also for the famous Super VI model Scandalli. It is
carved from aged mahogany and nicely finished throughout. When you play
the accordion you can feel the vibrations with your body. The accordion
is air-tight and efficient, ergonomically optimized and a pleasure to
play.

Below
is a link to a shared folder where you can hear sound samples of this instrument. I
suggest you listen with headphones.
This Bell accordion sounds rich and clear. It is easy to play. The internal overtones and resonances will make your hearth sing. You can play a variety of music. Each treble and bass switch offers a unique blend and will "call" for certain tunes from your repertoire. The compression is excellent and the accordion is both air-efficient and ergonomic. Call 973-219-9259 with any questions, or to schedule your visit to the Accordion Gallery where you can try the accordion yourself and compare it to many other fine vintage and new instruments.











Let's explore the interior of the instrument.

The
keyboard valves are very good. The keyboard action will help you play
better.


This Bell
accordion was built by Scandalli with the same quality materials as the
legendary Super VI model from the 1960's.
You can think of this instrument as a
non-chamber version of the Super VI. The body is made of aged mahogany.
Even the bellows frames are made of this
high quality wood.




Fresh beeswax, pristine reeds and leathers, fabulous tonal response and quality!


The Bell has the same fantastic hand-made reeds as the 1960's Scandalli Super VI.



The bass side...


The bass
reed blocks are mounted by spring-loaded bolts.
This allows for uniform pressure
distribution and fine tuning and prevents warping of the reed blocks.



The Contralto, Alto, and Tenor reeds share a common reed block base. This results in enhanced tonal response and harmonic richness.

The Bass
and Tenor reeds are double riveted. The pictures below will reveal very
useful information to all of you
familiar with the architecture and tonal
quality of the 1960's Scandalli Super VI accordions.



