SOUND SAMPLES (headphone
recommended)
Dear Accordion Friends,
This Petosa Chambertone accordion was built in 1954 and to this day remains a standard for quality in the Accordion World. The instrument has been played and loved over the years, professionally maintained by Petosa Accordions, and most recently serviced at the Accordion Gallery in July 2024. In 2019 I purchased 3 Chambertone models from the Petosa Family. Joe Petosa Sr. described this particular instrument very accurately: "Immaculate condition, this rich, resonant and powerful Chambertone is aged like a bottle of fine wine – a truly beautiful piece of history that any professional will appreciate."
This accordion has been a dream for a generation of American musicians. It features the famous Guidobaldi hand-made reeds. The bassoon and clarinet reeds are in a tone chamber. A second set of clarinet reeds and the piccolo reeds are outside of the chamber. With this classic LMMH reed configuration and double tone chamber this instrument is suitable for any music style. Harmonic condenser microphones complement this fine acoustic accordion.
You can hear sound
samples of the actual accordion for sale at the link below (headphones
recommended):
SOUND SAMPLES (headphone
recommended)
This instrument is one
of the best you can find. The tone is clear, yet rich and strong. Each
reed combination has unique tonal color. The acoustic balance between
treble and bass is excellent. The reeds are very efficient and allow for
a great dynamic range. You can play a large variety of music and always
enjoy an authentic sound - jazz, classical, Balkan, Italian, German.
I hope you enjoy the pictures below and would be glad to hear from you at 973-219-9259 with any questions.
All valves are made of white natural felt and leather and are in very good condition. The keyboard action is fast and silent.
The keyboard is perfectly aligned and precisely calibrated for a light touch and fast response.
The original Guidobaldi reeds and genuine leather reed valves are in excellent condition. The reeds have never been abused by power tools.
Let's take a look inside the bass side...